“What an architect is, seems to be up for debate these days…. Most buildings in this country are not designed by architects, and it is becoming easier and easier for laypeople to buy computer programs or to hire-in expertise that allows them to design buildings. More and more of what goes into buildings is also becoming specialized and bolstered by technology, so that what defines a building is as much systems, codes, interior decoration. lighting and acoustical design, and cost estimating, as it is whatever we might still call architecture.” from “Who Cares Who’s a Licensed Architect?” by Aaron Betsky for Architect Magazine, Oct. 22, 2012
For millennia, buildings, especially dwellings, have been erected without the involvement of what today is referred to as an architect. They were built by those with enough skills to enclose a space that for the most part would remain upright, at least for a while. Failure, after appeasing the gods, was followed by trying once again, perhaps learning something from the experience. Occasionally something was learned about structural integrity.
As populations grew and civilizations advanced, structural failure and destruction by fire became a growing cause for concern. But advancing civilizations also meant an advance in building technologies along with the efforts by underwriters, governments, and local civic groups to harness the growing risk of greater casualties.
As part of that effort, master builders began grouping together in professional societies. They were following the precedent of artisan guilds in an earlier era. Now their stated purpose was advancement of “the common good” – to ensure building safety and protect an unwitting public from charlatans.
As their numbers grew, so too did their political clout, an effort that eventually paid off with the passage of licensing laws.
Designed to raise the bar of technical competence, licensing also carried with it the added short-term bonus to the licensee of limited competition. Assuring professional competency, a worthy goal in itself, also carried with it, as do all regulations, the hidden price of limited choices and consequently an increase in cost. With added cost comes, inevitably, a search for alternatives.
The pressure exerted on government to promote public safety had other consequences besides licensing, notably the creation of building codes and zoning laws. In order to build, a licensed architect was needed to not only design and prepare construction drawings, but also to navigate the ever growing complexity of code enforcement agencies for approval. To build required a building permit.
Complying with an increasingly complex thicket of code requirements eventually required the services of a trained professional. For most building types, construction drawings submitted to a building department were then required to be stamped with the professional seal of a licensed architect or engineer.
Over the years, satisfying code restrictions has become an increasingly central part of an architect’s skill set. And, as one might expect, one consequence is that the buildings they design have been shaped to an ever greater extent by those codes.
Also as a consequence, the architect’s public image began to shift from that of artist-builder to one as a building technician and permit facilitator; (and, if any money was left in the budget, someone who could then also give the building some “pizzazz”.)
Giving boost to the image-shift that architects, as well as architecture, has undergone is the emergence and rapid development of digital technology, notably in the areas of design and 3D drawings.
A genuine boon to the delivery of projects, this technology has also resulted in an increasing number of imaginary architects. Apps are now available to anyone with a digital device that enable them to produce computer models of built environments and vicariously experience themselves as designers, no further experience needed.
More and more, as this technology grows, some will come to think that they can do what “architects” do; they can now design buildings and their interiors. Of course they will acknowledge that they don’t possess the technical expertise to convert their digital fantasies into real buildings. But then, that’s what contractors and architects are for.
And since contractors, more and more, are acquiring many of the skills once the exclusive domain of architects, why not, then, just bypass the architect for everything except for stamping the drawings.
By the way, this is not just me indulging in the dark side. Yes, it’s a foreshortened view but one that contains a kernel of truth. That architects have become a limited participant in shaping our built environment is easily checked out by a quick look at real estate ads or driving around town.
What then is the point of hiring an architect? Construction costs are high enough without plugging in fees for architectural services, especially when the value of those services are in doubt.
“Whatever we call architecture… is more than what licensed architects do. It is something that transforms buildings into frames for our daily lives, frameworks for relationships, catalysts for new ways of living, anchors in a world of change, and many other things that I think are difficult to define and, more importantly, even less likely to show up in the process by which architects in this country and the U.K. are licensed…” ibid.
The art in architecture is a fragile thing. Over the years its status has been slowly displaced by the ever-growing complications of getting something built. This has led to increased costs, leaving less and less room for anything but satisfying the practical necessity of shelter. When the the art in architecture devolves into surface application, architecture loses its soul. Missing there is the seamless merging of all the parts that make architecture something more than just a practical solution. Missing is another opportunity to discover the joys unique to architecture at its best, architecture that reaches the best in us.
Just how much more than what licensing alone accomplishes is evident when standing in the presence of architecture designed by someone possessing certain talents and abilities beyond the technical that awaken in us something that’s too often asleep. The heightened experience of being alive that architecture has the potential to offer requires something deeper than what technical proficiency and skills at acquiring building permits alone can achieve.
And, by the way, it also requires someone, a client, who really wants it; someone who is willing to acknowledge and accept that, for certain things, there’s just no shortcut to getting them.
Below are samples of how some have given shape to what they saw when looking deeper.
Le Grotte della Civita, Matera, 2009
Utzon in Mallorca
Small House In Czech Republic Recycled From Ruins of Barn
House 6 in San Mateo County,California by Fu-Tung Cheng. 2009
James Eads How House, Silverlake, Los Angeles. Rudolph Schindler. 1925
Bohlin Cywinski Jackson
John Lautner, Stevens House, Malibu
John Lautner, Segel house, Malibu
Shirish Beri and Associates, Laboratory for the Conservation of Endangered Species
Avenue of Poplars at Sunset – Vincent van Gogh
Diego Rivera, House over Bridge, 1909